Victor brings to his narrations more than 10 years of experience as a character actor and musician, as well as a degree in Film and Music Production from Vanderbilt University.

His musical ear, combined with being the son of trilingual parents and having lived all over the USA, gives him exceptional facility with accents. These include

In the nonfiction arena, Victor’s experience as an engineering student and a lifelong amputee also makes him intimately familiar with complicated medical and technical jargon. He also grew up no stranger to dense theological text, given that his father is a priest and his mother holds advanced degrees in Ancient Greek.

Click for a sample of Victor’s latest title:

Cartoon theme songs may have been Victor’s first inspiration, but other than those witty, concise introductions to the plots of Teenage Mutant Ninja Turtles, Animaniacs, and the like, Victor enjoys music that uses theatricality, comedy, and camp to get a little deep without being ponderous. He first got the chance to try his hand at this during his time in Nashville as a member of Red Light Angels, a band of equal parts glitter and blood.

But it didn’t stop with hair-metal ballads. After studying music composition at Vanderbilt and spending a decade in the Barbershop community, Victor expanded into vocal arranging and composition, his ultimate goal to create his own animated musical. Check out some of Victor’s vocal performances with the Phi Mu Alpha Men of Song chorus and as Yoda in the Music City Chorus’s medal-winning Star Wars parody set!

The barbershop and metal parts happened in the ensuing years in Nashville, where Victor played bass and sang backing vocals for shock-rock miscreants Red Light Angels, and sang bass and played a host of characters including Professor Harold Hill and Yoda for the international medalist Music City Chorus. He has also had guest appearances with Rachel Mac & The Revival, Black Diamond, and the Fisk University Faculty Jazz Band.

There’s one other metal part— literally. Victor has been a double amputee from birth, medically one in a million, and enjoys being on stage not only for the thrill of it, but to increase disability representation in the media. Hollywood might have you believe all cyborgs are bent on enslaving humanity— some of them just want to make funny voices and music.